Call for papers
International Conference “Intertextuality in Music since 1900”
Jointly organised by: CESEM/FCSH, Universidade Nova de Lisboa and Institut für Musikwissenschaft, Leopold-Franzens-Universität Innsbruck
To be held at:Faculdade de Ciências Sociais e HumanasUniversidade Nova de Lisboa
Lisbon (Portugal)
6-7 March 2015
Keynote speakers to include:
Nicholas Cook, Faculty of Music, University of Cambridge
Julian Johnson, Royal Holloway, University of London
Lawrence Kramer, Fordham University, New York.
The following topics wouldbe particularly welcome:
-Theories of intertextuality from a musicological perspective;
-Practices of re-composition;
-Listening asanintertextual process,and the aesthetics of reception;
-Intertextuality and performance studies;
-Intertextuality, intermediality and inter-arts studies;
-Intertextuality and narrativity;
-Intertextuality, topic theory and musical semantics;
-Intertextuality and/as cultural transfer.
The official language of the conference will be English. A selection of papers will be considered for publication inbook form.
We invite scholars from various disciplines to contribute to this international conference. Please send abstracts (max. 300 words) for 20-minute papers (to be followed by 10 minutesʼ discussion), in English, plus a short biographical note, tothe conference organisers no later than 15 November 2014.
Notification of acceptance will be given by 30 November 2014. The organisation is unable to cover any expenses, but it may be able to help with finding accommodation at special rates.
International Conference “Intertextuality in Music since 1900”
Jointly organised by: CESEM/FCSH, Universidade Nova de Lisboa and Institut für Musikwissenschaft, Leopold-Franzens-Universität Innsbruck
To be held at:Faculdade de Ciências Sociais e HumanasUniversidade Nova de Lisboa
Lisbon (Portugal)
6-7 March 2015
Keynote speakers to include:
Nicholas Cook, Faculty of Music, University of Cambridge
Julian Johnson, Royal Holloway, University of London
Lawrence Kramer, Fordham University, New York.
The following topics wouldbe particularly welcome:
-Theories of intertextuality from a musicological perspective;
-Practices of re-composition;
-Listening asanintertextual process,and the aesthetics of reception;
-Intertextuality and performance studies;
-Intertextuality, intermediality and inter-arts studies;
-Intertextuality and narrativity;
-Intertextuality, topic theory and musical semantics;
-Intertextuality and/as cultural transfer.
The official language of the conference will be English. A selection of papers will be considered for publication inbook form.
We invite scholars from various disciplines to contribute to this international conference. Please send abstracts (max. 300 words) for 20-minute papers (to be followed by 10 minutesʼ discussion), in English, plus a short biographical note, tothe conference organisers no later than 15 November 2014.
Notification of acceptance will be given by 30 November 2014. The organisation is unable to cover any expenses, but it may be able to help with finding accommodation at special rates.